Durban Segnini Gallery
3072 SW 38 Ave.
T 305 774 7740
E-mail address :
Carmelo Arden Quin
CARMELO ARDEN QUIN (Rivera, Uruguay, 1913). Painter and sculptor. Meets Torres García in 1935 and in 1937 moves to Buenos Aires, where he organizes in 1943 the group Arturo together with other avant-garde artists; their magazine is the first to promote abstract art in Latin America. He announces the creation of MADI in 1946, initiating a new current in abstract art. The gallery Suzanne Michel of Paris organizes the first MADI exhibition (1951). In 1955, he participates in the first Non-Figurative Art Salon organized by the Van Riel Gallery. In 1963 he exhibits at the Museum of Modern Art of Buenos Aires. An exhibition in his honor is presented in 1983 atEspace Latino-Americaine in Paris. New York’s MOMA devotes a preeminent place to him in 1992 during its Latin American Art exhibition. In 2003, he exhibits his work at Buenos Aires’ Recoleta and in 2006 at Durban Segnini Gallery of Miami.
Pablo was born the 23rd of August, 1954 in Montevideo, Uruguay. He was inspired in his artistic endeavors by his father Pedro, an art lover and a frequent presence at the workshop of Uruguayan master Joaquín Torres García. From a very young age he perceived the great interest and aptitude Pablo had manifested in art, so he stimulated him to enter the field of painting. Nowadays he represents a reality in art and international sculpture, within the most interesting and dynamic, bearing in mind how his international activities generate for him such great exchange with other artists, and how he builds with ease a communication bridge between the art of Europe and Latin America.
2011 Holllis Taggart Galeries New York
2010 Albemarle Gallery London
Bienvenu Gallery New Orleans
2008 Albemarle Gallery London
Museo Nacional de Artes Visuales Montevideo
2007 Museu Oscar Niemeyer Curitiba
Museu Brasileiro de Escultura São Paulo
Centro Cultural Banco do Brasil Brasilia
Lagorio Arte Contemporanea Brescia
Frey Norris Gallery San Francisco
2006 Albemarle Gallery London
Groeninge Museum Bruges
Galeria Sur Punta del Este - La Barra
Gary Nader Fine Art Miami
2005 Museo Nacional de Bellas Artes Buenos Aires
Park Ryu Sook Gallery Seoul
Gary Nader Fine Art Miami
2004 Galeria Tejeria Loppacher Punta del Este - Uruguay
Galleria Rino Costa Valenza
Villa Monastero Varenna
Albemarle Gallery London
Detailed Description :
Also exhibited by:
Hollis Taggart Galleries,
Jerome Zodo Contemporary ,
Juvenal Ravelo pertenece a la corriente del arte cinético. Nació en Caripito, estado Monagas, el 23 de diciembre de 1932. Estudió en la Escuela de Artes Plásticas y Aplicadas de Caracas, además de la Escuela de Artes Plásticas Martín Tovar y Tovar de Barquisimeto. Fue profesor en la Escuela de Artes Plásticas Cristóbal Rojas. En 1964 viajó a Francia para aprender sobre el arte abstracto y el constructivismo. Durante su estadía, asistió en La Sorbona a los seminarios sobre la sociología del arte impartidos por Pierre Francastel y Jean Cassou.
Other Artists represented by the Gallery:
ARLOS CRUZ DIEZ (Caracas, Venezuela, 1923). Painter, sculptor and graphic designer known internationally as one of the major representatives of kinetic painting. Resides in France since 1956, where he was part of theNouvelle Tendance. In 1965, he participates in the The Responsive Eye exhibition organized by the Museum of Modern Art of New York. The Museum of Graphic Arts of Caracas was established under his guidance, and in 1971 he was awarded the National Plastic Arts Prize in that same city. His works are found in major museums throughout the world. In 2006, Simón Bolívar University in Caracas conferred on him the title of Doctor Honoris Causa. Miami Art Museum will present a retrospective of his work in 2010.
Cesar Paternosto (b.1931, La Plata, Argentina. Lives and works in Spain since 2004). Since the mid 60′s, when this sculptor, painter, writer and curator living in New York, began to change the paradigms of abstraction with monochromatic wall installations. His return to the south of the continent expanded their vision of geometry revealing a genesis of forms present in the pre-Columbian legacy sculptural and universal tradition of textiles. It works with indigenous names entitled to designate the time, because its purpose is to extend the boundaries of inner perception through a poetical form. It may take up to Mondrian’s legacy extreme practice of leaving the front surface and locate blank colored geometric shapes on the sides of the box, or report beyond how intertwined the past ancestral continental with the western edge to create new horizons in geometric abstraction. The representation in his work ultimately refers to the structure of thought. He trained at the Institute of Philosophy of the National University of La Plata, Argentina, won a Guggenheim Fellowship in 1972, was a visiting professor at American universities and his work is part of collections permanents the Museum of Modern Art and the Solomon R. Guggenheim Museum in New York, or the Menil Collection, Houston, Texas, among other
Espace Meyer Zafra,
Fernando De Szyszlo
FERNANDO DE SZYSZLO (Lima, Perú, 1925). Painter, engraver and sculptor. He studied at the Plastic Arts School of Lima’s Catholic University. Resides in Paris between 1949 and 1955. In 1985, the Latin American Contemporary Art Museum of Washington, D.C., presents a retrospective of his work. In 1966, he participates in the symposium “Resonante autour d’André Breton,” in honor of the poet’s centennial. In 2003, he presents a retrospective at Paris’Maison de l’Amerique Latine and the following year at Rome’s Instituto Italo Latinoamericano.
Barranquilla. Colombia, 1943 – 2013 †
Autodidactic, he defined himself towards the mid-1960′s , as an abstractionist who identify himself with some of the proportions of Frank Stella and the minimalist, always adhering to such coherent growth that it has made him a painter of lines without becoming a draftsman in the orthodox meaning of term. The symbolism, composition and color of a good portion of his works are inspired by religious ornaments.
In 1987, he had his first retrospective exhibition at the Museum of Contemporary Art of Bogotá. Throughout his life, he has distinguished himself as a quiet artist who works isolated from the word and from its potential honors.